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Digieffect DIGIEFFECTS DAMAGE 2.2 - DAMAGE


DIGIEFFECTS DAMAGE 2.2   Learn more about the product
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eCOST Part#: 7831768
Mfr Part#: DAMAGE
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Retail Box/License – This type of license is advisable for home and small office use (except where noted). The software package includes installation disc(s), may also include printed manuals and all other documentation and are often (but not always) eligible for free tech support from the manufacturer. The software may be packed either in a large box, mini box, cardboard, plastic box, DVD case, CD jewel case or sleeve.
DIGIEFFECTS DAMAGE 2.2

Damage is a collection of six effects plugins designed for post production professionals who want to create an extensive variety of digital and/or analog defects/errors in your footage.
Blockade
Video acquired by low fidelity devices like cellular phones and PDAs is becoming more commonplace. Blockade makes your clip look like it is highly compressed and being transmitted through a very bandwidth-limited pipe. Essential for simulating internet based micro cam display or personal video communication.

Artifact
Developed to create digital defects, Artifact simulates lost DCT blocks and frame dropping, most often seen when a digital video file suffers from corruption or a satellite feed is hampered by weather. Make sure you warn clients and your house engineer that it's only an effect.

Interference
If it's television you want, traditionally you'll need some sort of interlaced field scanning. Interference creates the look of interlaced video fields, even on progressive footage or still images, adding noise, colorization and offset separately for each field.

Skew
The never-ending quest to aim the rabbit ears so that the television show looks as good once you're in your chair as it did when your hands were attached to the antenna is fast fading into the lore of old... That valuable (if under-appreciated) look is preserved in Skew. Uniquely analog/broadcast image badness like noise, image shearing, ghosts... it's all there.

Overexpose:
Exposure is one of the keys to creating a solid image. Messed up exposure is one of the keys to cutting down on pesky repeat business for a videographer. Unlike simple luma or levels adjustments which act on specific pixel values and just end up looking like a poorly adjusted digital process, Overexpose processes the image in way that mimics an optical response.

Destabilize:
With the ability to create convincing camera shake with individual controls over each color channel, multiple axes of motion blur, and nodal rotation control, you can add a bit of uneasy drama, or jittery chaos to nearly any scene. Using the ability to introduce individual random variation into each parameter set means the motion that results is convincingly organic, and a product of fine control.

Digieffects software plug-ins support Adobe After Effects, Adobe Premiere Pro, Apple Final Cut Pro and Autodesk Combustion. All Digieffects software is cross-platform and when customers purchase a Digieffects application the serial number can be used on either a Mac or Windows operating system (or both at the same time).

System Requirements:

Mac
OS X 10.4+
G4/G5/Mac Intel Processors
Minimum of 1 GB system memory

Windows
XP Professional SP2/Windows Vista/Windows 7
Intel Pentium 4 or AMD Athlon XP
Minimum of 1 GB system memory

Hosts
Adobe After Effects
Adobe Premiere Pro
Combustion
Apple Final Cut Pro
Edius
Boris Red
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Digieffect DIGIEFFECTS DAMAGE 2.2 (DAMAGE)

DIGIEFFECTS DAMAGE 2.2

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